Inspired by the math whiz Anand Kumar, who has seen an impressive success rate for IIT admissions year after year with his batch of \Super 30\ children, the film portrays his inspiring journey as a fictional story. A life of conflict and struggle, Anand (Hrithik Roshan) practically emerges from the ruins to mould his dreams. The article does not touch on any of the conflicts involving Anand Kumar that have been published in the newspapers, concentrating only on his struggles and fame. <br>Son of a postman, Anand, a young man, has been admitted to Cambridge University due to his brilliant career in mathematics. But as he needs to let go of this chance of his life merely because he is unable to pay the payments, life strikes him hard and kills his heart. But that doesn\t last too long because Lallanji (Aditya Srivastava) has been chosen to become a math teacher for the well-to-do students at the IIT coaching centre run by him. But eventually, his true calling and ambition will catch up with him and he knows that he must use his abilities to give less fortunate, bright students a decent chance in life.

The film begins with Abhiram, who behaves differently in different situations which causes trouble to his father Eeswar Rao (Rajendra Prasad), so he immediately consults a Prabhudas (Posani Krishna Murali) a neurosurgeon. He reveals that Abhi was born with two brains and holds a dual personality which is triggered by loud noises. Right now, Eeswar Rao raises him as two people Abhi and Ram (Aadi Saikumar) dividing and sharing the time. But Abhiram becomes a self-hating person as both the personalities possess contrasting lifestyles. Abhi is a rough, lazy playboy whereas Ram is intelligent and immensely good who wants to dedicate his life to bachelorhood. The story takes a twist when a charming girl Happy (Mishti Chakraborty) enters into his life whom Abhi loves but she falls for Ram looking at his humanity. Ahead, Ram too has a girlfriend, Aascharya (Naira Shah). As a side plot, Abhiram encounters a goon, Gagan Vihari (Abhimanyu Singh) which throws him into a life threat.A comical family entertainer worth watching!

Director Zoya Akhtar’s ‘Gully Boy’ is the definitive look at the rap culture in India. It chronicles the story of an average boy Murad, from Dharavi, who dreams big and refuses to let hardship squash his spirit. He is exuberant and entertaining, to say the least, on his path from the quintessential slumdog to Gully Boy. Rap is an unconventional genre of Indian music, but even the underdog and the heartfelt stories are enjoyed by those who do not usually identify with this style of music. <br>In Dharavi, Murad dreams of a better life, the story begins in a matchbox-sized chawl roam. Just as he likes to pour in his feisty feelings and complaints on a paper, he also loves feisty Safeen (Alia Bhatt). <br>The treatment and the visual finesse of the film are on par with something you’ve seen from Hollywood or elsewhere in the world. The rap battles seen in the film are riveting and an inspired piece of writing. However, the problem is that the film has a runtime stretching to 2/2 hours, but it adds the perfect amount of taste and leaves you fully interested. emotionally gentle and clapping-worthy dialogue. This is an equally worthy show.

All the actors did their job well but the story lacks substance and the direction is very loose. You will be lost in the story some times and it takes a while to connect to the the scenes. This much of violence is not at all required for a family story, and also comedy is missing.

Tiger Zinda Hain: The spin-off of Ek Tha Tiger is more famous and has a greater amount of all that one searches for in an activity thrill ride. Helmed by Ali Abbas Zafar (King\s Chief), it conveys Bhai-style diversion against a background of a story motivated by evident occasions and a global size of introduction. The chief owner duties to test keeping the crowd connected despite the anticipated endpoint and long length (2 hours 40 min) through an enchanting screenplay, astonishing soundtrack, magnificently executed activity scenes, genuine surface, punchy exchanges, enough shocks along the way, and some fine exhibitions by the principle cast. The lone negative is the constrained fit message of harmony between Ind-Pak (Aman ki Asha type). <br> <br>Salman performs Tiger easily and loot. It\s incredible to watch him in such jobs. The chief has likewise added enough scenes to make his fans go insane. Katrina has given her best exhibition to date, she is too acceptable in this film. Paresh Rawal gives another splendid presentation. The reprobate played by rookie Sajjad Delfrooz is suitably projected and makes a fine showing. The other supporting cast is additionally acceptable. <br> <br>The film is first class in the specialized viewpoints at standard with any global activity thrill ride. It closes on a high and good feeling with the Loot se swagat melody. <br> <br>Treat for Bhaijaan fans to see their hotshot do what he does the best ie activity, however as an entire, the film might have been as the plot wasn\t that incredible and screenplay falls dull with part of time squandered in smooth dramatization and rationale opposing activity arrangements, Foundation score was astounding and the peak makes certain to get you high on a devoted conclusion <br> <br>By and large, a film with all the elements of a Blockbuster. Indeed, even non-Salman fans will return engaged. Ideal excursion during the year-end occasions.

The title Hindi Medium is sufficiently clear to say what the film would spin around. The narrative of an everyday person who is frantically battling to give his youngster the best training taking any methods conceivable to achieve those objectives because lone the capacity to talk in English is the method of judgment and comprehension of individuals\ instructive levels. Close by this significant plot improvement, there are different perspectives effectively observable. <br> <br>One of them is the remark on the western type of instruction and the impacts it has. The consultancy in the film, the Western schooling are appeared to fill individuals with imitation, shallow information, snootiness, pride, and absence of regard for their language. <br> <br>Not just the youngsters, the guardians similarly are a piece of that change because of this type of \instruction\. Because of this \training\, a class of individuals has been made who call themselves \the tip-top\. Pointedly diverged from the
on-tip top\, the distinction of ways of life and refinement has appeared as well as the distinction of the fundamental mankind in both the classes is clear and self-evident. The first and the subsequent half show the heroes in entirely unexpected lights and henceforth their characters go through a turn of events and change. <br> <br>It discusses the social disparities which our general public neglects to recognize. It unmistakably shows how a rich man gets everything even by encroaching a helpless man\s correct. The primary topic of the film centers around the language disparity and the intricate inclination connected to it. The new pattern of placing your children into the best school in the city won\t be your need in the wake of watching this film. I trust the issues which this film tended to will be settled in not so distant future <br> <br>The other perspective, which could likewise be called a proposal or perhaps a stunner is that all kids, independent of their group, merit equivalent consideration, care, regard, and quality instruction since they also have equivalent mind as some others and are similarly inventive. The case of being inventive has additionally appeared in the film where the kids make music with no instruments.