Tanhaji

9 months ago

#lyrics #paramparathakur #tanhaji #sachettandon

Bhawani ke veeron

Utha lo bhuja ko

Satyaagni ko, mastak saja lo

Swaaha ho shatru

Prachand macha do

Shapath ka path veer path

Desh ka path jeet path

Kadmon ki taal se

Dhool ka badal saja

Shatru ke lahoo se

Dharti ka shringar kar

Desh par prahar hai

Prahar kar prahar kar

Ghamand kar

Prachand kar

Taandav sa yuddha kar

Yuddha kar bhayankar

Rararara...

Rararara...

Rararara...

Rararara...

khel tu shamsheer se

dushman pe vaar kar

honslo ko cheer ke

tukre hazaar kar

naach khel maut ka

jeet ka dhun bana

jeet ka ghumaan kar

Prahar kar prahar kar

desh par prahar hai

ghumaan kar ghumaan kar

Ghamand kar

Prachand kar

Taandav sa yuddha kar

Yuddha kar bhayankar

Rararara...

Rararara...

Rararara...

Rararara...

Ghamand se chalo

Na daro, na giro

Kaat sabko dil se

Jeet ki or chalo

Ghamand ki pukar hai

Daro na daro

Daldal mein lahoo ke

Badh chalo badh chalo

Ghamand hi tere sheesh ka sringaar hai

Cheer sheesh sabke

Badh chalo badh chalo

Ghamand se chalo

Na daro na giro

Kaat sabko dil se

Jeet ki or chalo

Rakt girega, maati taregi

Pyaas bujhegi ho

Dushman katega, dharti sajegi

Desh sajega ho

Rakt girega, maati taregi

Pyaas bujhegi ho

Dushman katega, dharti sajegi

Desh sajega ho

Rararara...

Rararara...

Rararara...

Rararara...

9 months ago

#tanhajidialogs #dialogs #tanhaji

"Hamla, Pehla War Lakh Mulacha! Jis Tarah Mitti Ke Har Kann Mein Pahad Hota Hain, Har Beez Me Ek Jungle, Har Talvar Me Ek Sena, Ussi Tarah Har Ek Maratha Mein Chuppa Hai Lakh Maratha. Aapke Ek Bete Ne Aapke Liye Swaraj Khada Kar Diya, Dusre Ko Jute Pehnane Ka Mauka To De"

2 years ago

The Unsung Warrior is a Historical Action movie produced by Bhushan Kumar, Krishan Kumar, and Ajay Devgan in T-Series and Ajay Devgn Films in the Indian Hindi language in 2020, directed by Om Raut.The Unsung Warrior largely with an overwhelming climax that involves a duel between Ajay Devgn and his nemesis Uday Bhan in Rajput (Saif Ali Khan).
It's powerful near a film that throughout its rather tender narrative has lacked the same intensity. Certainly, the climax has to be better than the rest of the film conventionally. Yet at least a substantial proportion of what was to come may have been the lead-up. The only point near the rousing climax is the point of the interval, which not only gives an unforeseen turn to the trap but also raises the stakes of the upcoming Singhad war.